片名:《紐約夜月情》

類型:喜劇片

上映時間:1993

上映地區(qū):美國

導(dǎo)演:沃倫·萊特

主演:Matthew,Broderick,Jeanne,Tripplehorn,Tim,Guinee

集數(shù): 更新至0集

語言:英語

【同輝影院】分享喜劇片紐約夜月情全集在線免費觀看高清720P播放地址，紐約夜月情講述了一個普通而不平凡的故事，由紐約夜月情的演員Matthew,Broderick,Jeanne,Tripplehorn,Tim,Guinee實力演繹，不管是微表情還是表演動作上，把角色都塑造得非常成功，每個角色都有自己鮮明的個性，讓觀眾們能夠更好地融入到劇情之中。紐約夜月情是1993年上映，非常好看的電影。

《紐約夜月情》觀后點評：電影紐約夜月情真是太好看了！紐約夜月情劇情緊湊扣人心弦，每一個轉(zhuǎn)折都讓人捧腹大笑，同時又讓人熱淚盈眶；紐約夜月情的音樂選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了喜劇片紐約夜月情的劇情氛圍，絕對值得一看。

《紐約夜月情》抖音網(wǎng)友點評：紐約夜月情的臺詞設(shè)計非常精彩，讓觀眾印象深刻；紐約夜月情的演員Matthew,Broderick,Jeanne,Tripplehorn,Tim,Guinee個個演技精湛，從對劇情的精準(zhǔn)把握到表情和動作的發(fā)揮上，都契合了紐約夜月情的故事主題，既滿足了觀眾們對于劇情的期待，又給人留下了思考的空間。是1993年值得一看的電影。

紐約夜月情講述了：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...